- Lightworks video editor hyperspace effect how to#
- Lightworks video editor hyperspace effect download#
Set an in point just before ID is about to take a dive, then scrub ahead to just after Adelie finishes… whatever it was she was up to. We can very easily remove it from our timeline with the mark and park technique. We could have avoided this by marking and inserting two clips independently from our source monitor. Unique ID seems to lose his balance, and then Adelie… well, I don’t know what Adelie is doing. We’ll come back to these in a moment, I promise.Īwesome, your first edit! Unfortunately, if you followed my lead, then you’ve made a horrible mistake! There’s a bit of a blooper somewhere near the end of this take. For now, simply hit the “b” key to perform a replace edit. With nothing currently on our timeline, it doesn’t matter which method we use, so I won’t bore you with those details yet. Speaking of which, there are a two options to get our freshly marked piece of footage onto our main timeline: insert and replace edits. This is actually somewhat useful for those occasions where you have roughly marked an in and out but want to go back and fine tune them before cutting to your edit timeline. If both an in and an out point are set, Lightworks will ignore the position of the playhead. No worries, because there’s nothing wrong with marking an in and an out, it’s just redundant. It’s a nifty little time saver, but if you have used any other video editor before, setting an out point is a difficult habit to break. You see, it’s possible to place an out point by pressing the “o” key, but if there is no out point set, Lightworks will assume that the playhead is your desired out point. You’ve just mastered a key Lightworks concept called “mark and park”. Now scrub ahead to where you want the wide shot to end, and simply leave your playhead there. This will drop a little blue diamond on the source monitor’s timeline. Using the JKL playback controls, find your beginning mark and hit the “i” key to place an in point. This is why we should first load our wide shot in a source monitor and mark only the part we want to keep with in and out points. While it is possible to drag and drop an entire piece of footage from one of your bins onto your timeline, you’d end up with a whole lot of excess footage that would be cumbersome to trim. You can easily tell which monitor is active because its outline will be brighter than all of the other monitors. To make a monitor active, simply click anywhere on it. You can have multiple source monitors open at any time, but you’ll only copy content to the timeline from the source monitor that is active. If for some reason you do not see your timeline, click the “show timeline” button on the right side of the destination monitor. The timeline is where you will cut in footage from your source monitors. You only have one destination monitor, which is attached to a timeline. To briefly recap an important note from the previous tutorial, remember that source monitors are outlined in blue and your destination monitor is outlined in red.
Lightworks video editor hyperspace effect download#
If you don’t have videos of your own to work with, you can download these Path To Adventure Video Assets and follow along. You’ve watched all of your footage, and you know which takes you like, but what should you drop in first? This will change depending on the format of your show, but generally I like to start by laying down a wide shot, then cutting in close ups as they are needed. One of the most exciting and intimidating parts of editing is making the first cut. Today we’ll focus on making an assembly edit, so we can quickly get results as we get comfortable with the Lightworks toolset. Your edit is then further refined as a rough cut, then a fine cut, and finally a lock cut. The first edit, known as an assembly edit, is a rough assemblage of scenes and best takes with no music or effects added. My approach may be much different than your approach, but generally your edit will need to go through multiple phases before it is considered complete. While there is a general process to editing, there are no hard and fast rules.
Lightworks video editor hyperspace effect how to#
Now that you know how to set up a Lightworks project and have mastered importing video, JKL playback, and setting cue points, it’s time to get serious about editing.
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